Idris Elba Has A Flamethrower In New Hobbs And Shaw Image

The life of the Fast and the Furious franchise has been fascinating. What started as car racing movies has become one of the biggest action franchises in the world, consistently making a ton of money at the box office. And it’s showing no signs of slowing down, with a variety of different projects coming down the line. The franchise is breaking new ground with Hobbs & Shaw, the property’s first spinoff starring The Rock and Jason Statham.

The many Fast and the Furious fans are eager to see the franchise branch out, especially as Hobbs & Shaw will focus on a pair of fan favorite badasses. There’s some serious talent attached to join the duo of actors, with the most notable being Idris Elba as the superpowered villain Brixton Lore. Brixton has been genetically engineered to have superpowers, and that’s not going to be the end of his badassery. Because a new image just dropped featuring Elba with a massive flamethrower. Check it out.

What. A. Badass. This image reiterates that Hobbs & Shaw is leaning into the over the top action that the larger franchise has become known for. And the title characters have one seriously tough enemy to unite against when the spinoff arrives in theaters.

This new image comes to us from producer Hiram Garcia’s personally Twitter page. While the Fast and the Furious franchise is known for being larger than life, Idris Elba is taking things to another level as Brixton Lore in Hobbs & Shaw. The villain’s superpowers is a game changer, and arguably taking the franchise farther from reality than ever before. Rather than trying to ground the character in other ways, he’s going to be even bigger. Like giant flamethrower big.

Idris Elba’s latest photo as Brixton is undeniably badass, and will likely add more fuel to the rumors about his possible involvement in the James Bond franchise. With Daniel Craig leaving the role of 007 after Bond 25, the franchise will soon have to find a replacement to take on the mantle. Fan lists have been happening for years, and Elba is usually toward the top. While the actor has shut down these reports, seeing him with a flamethrower is sure to cause endless more rumors.

Idris Elba’s starpower has been steadily building over the past few years, so it’s a great time to play the central villain in a Fast and the Furious movie. The franchise is insanely popular, and there will be a mass of moviegoers who shell out cash to see all the action on the big screen. Aside from fans of the franchise, Elba was also recently named the Sexiest Man Alive, which should excite more casual moviegoers.

Aside from Hobbs & Shaw, Idris Elba has another big blockbuster coming in the form of James Gunn’s The Suicide Squad. Elba will be playing the role of Deadshot, the character played by Will Smith in the original film. He also recently wrapped up his tenure as Heimdall in the Marvel Cinematic Universe, playing the Asgardian in all three Thor movies and two Avengers appearances.

Hobbs & Shaw will arrive in theaters on August 2nd, complete with Idris Elba’s flamethrower-toting villain. In the meantime, check out our 2019 release list to plan your next trip to the movies.

Why The Wild Us Theory About The Son Is Probably Wrong

Warning: spoilers for Us are in play. If you, or your tethered haven’t seen the film yet, please bookmark this article, and come back once you’ve caught up.

You knew this was coming. Whenever a movie like Jordan Peele’s Us storms theaters, there are going to be reactions, theories, hot takes, and think pieces dissecting the film’s many meanings — and that’s not necessarily a bad thing. A movie such as Us is always going to generate a lot of thought, and tons of opinions as to what’s been presented. For example, there’s a theory involving the son of the family, played by Evan Alex, and it makes a pretty big implication about his character. Take this as your last warning for spoiler country, as we’re about to jump into just what this theory entails, and why it’s probably wrong.

Us Jason and Pluto compare hands in the closet

The Theory About Jason

First, Young Jason, son to Adelaide and Gabe and brother to Zora, has been theorized to have switched places with his Tethered doppelganger, Pluto. Fans feel that during the events of Us, there was somehow a switch that allowed Pluto to become a secret part of the Wilson family, and the look of understanding with Adelaide, a known underground dweller who swapped places with her surface counterpart, was one of collusion.

Previously, we had already seen a switch between Lupita N’yongo’s Adelaide and Red happen during their childhood years, and taking into account the fact that Jason is the only other family member to go into that underground bunker besides his own mother, there’s definitely enough material to raise the question. Furthermore, there are a couple of instances where folks may believe that’s exactly what the movie is trying to tell them. But does it make sense?

Us the Wilson family cowering in a corner

What Led To This Theory

There are two pieces of information that have people thinking Jason and Pluto somehow swapped places, and they’re valid concerns. The first supposed clue is, obviously, the fact that Jason and Pluto spend an extended amount of time in the closet of the Wilson family beach house in Us. If you had two characters who look almost identical trapped in a room for a long period, with no one observing them, you wouldn’t be wrong to think that maybe a swap had taken place.

But it’s the second piece of information that’s probably triggering audiences the most. Towards the end of Us, there’s a moment where Jason looks at Adelaide with a face of fear and understanding. In that moment, it’s presumed that he knows the entire truth about the swap with her surface doppelganger, and her assumption of her identity. Whatever the case, Jason knows something’s off, and rather than freak out, he slips his mask back on and stays silent.

There’s a case to be made regarding why this theory could be true. Us is the sort of movie that will  lay out the details it has to in order to tell the story, but also doesn’ lock them in so tight they can’t be interpreted another way. There’s enough room for theories, but after really digging into what was shown in the film, as well as piecing together some key details, I believe the theory that Jason and Pluto switched places by the end of the movie is indeed false. While Jason best understands the Tethered, catching on quickly as to who they are and being able to interact with his doppelganger in a meaningful way, he’s not one of them.

Us Jason and Adelaide talk before heading to bed

Why The Son Theory Is Probably Wrong

There are just too many pieces of supporting evidence scattered throughout Us that dictate Jason and Pluto have not switched places. Starting on the surface level, the fact that Jason still has normal speech is an important clue to his true identity. Pluto wouldn’t have that sort of capability yet, because as we saw with Adelaide/Red, it takes time for a Tethered to learn how to speak like a normal person. Red couldn’t have taught him in that short of a time, and even if she could, Pluto’s English wouldn’t be passable enough for him to seamlessly integrate into the family. Even with her ability to speak better than the rest of the tethered, Red’s speech pattern was altered into a sort of hybrid between surface and Tethered.

While we’re on the subject of Red, as we know in her recitation at the Wilson home, her children are monsters that even she has issues with. One of the main points of the narrative thrust in Us is that she wants what Adelaide has, and that includes her family. Red wouldn’t have taken Jason if he were Pluto, and his kidnapping takes place right after Pluto incinerates himself in the car fire, with just one child left in play. This is another logistical hurdle the film just doesn’t clear to support Pluto being the kid going home at the end.

Most importantly, Pluto has extensive facial scarring, undoubtedly a consequence of his pyromaniacal tendencies. Unless the Tethered have a really good plastic surgeon that can get the job done in an afternoon, or possess some sort of makeup that can erase that sort of scarring very easily, there’s no way that Pluto and Jason have done a quick switcharoo. It’s this last fact in particular that supports Jason just being himself, able to interact and understand the Tethered best in his family, but ultimately debunking theories that he himself has been swapped out.

Over time, there’s always the possibility there are clues in Us that will surface to either reinforce or reexamine the theory that Jason was really swapped for Pluto. Based on the evidence currently observed, I do not think that is the case. That said, if more supporting arguments emerge to support that suggestion, and they pan out, I honestly wouldn’t be mad. If Jason and Pluto somehow took a page out of the Prince and the Pauper playbook, it’d be the ultimate statement in Jordan Peele’s examination of class warfare by means of infiltration. It’d also be extremely chilling, because then the question of whether we really know the ones we love would be raised with a rather effective exclamation point. For now though, let’s consider that theory sent back underground, because it has no place here.

Does Us’ Son Theory Hold Water?

Blended From Around The Web


The Rock And Karen Gillan Are Rocking Awesome New Costumes In Jumanji 3 Image

Jumanji: Welcome to the Jungle was a massive hit, so a sequel wasn’t exactly a huge surprise. However, considering the major ways the film updated the premise of the original Jumanji from over 20 years earlier, it was far from clear how the third Jumanji film would differentiate itself. While we still don’t have many of those answers, we do know one thing, our heroes will end up in new costumes in the upcoming film, and that’s something. Check out Dwayne Johnson and Karen Gillan’s new outfits in the image below.

While new costumes might not be massive breaking news, it would seem to tell us something about the new movie. A recent image of the cast from Karen Gillan had shown the main cast in the same clothes that they wore in the first film. It’s unclear if this image was actually from the new movie or the previous one, but either way, it implied that we’d be getting the actors in the same outfits we got before. Although, it did promise things were not as they seemed, so perhaps this was part of the reason. When we actually saw the characters in the new film, they would look a little different.

Since they’re playing video game avatars, it would make sense that the characters would end up in the same clothes, and it’s possible they may start out that way, but at some point things will change, as the Rock’s Instagram picture reveals.

Based on the outfits, it looks like Jumanji 3 may be taking our characters into a colder environment, as they’re clearly dressed for keeping warm. Even Ruby Roundhouse as left her Lara Croft inspired shorts and crop top behind for fuzzy boots and long sleeves.

Shifting the setting of the new Jumanji from the tropical jungle to something colder is certainly one way to change things up. The “ice level” is a tried and true element of many great video games, so it would certainly be fitting to have the video game inspired Jumanji 3 use the idea as part of its premise.

The Rock’s comment on his Instagram post also appears to confirm that Jumanji 3 will continue the story of the romance between the characters of Spencer and Martha. The teenagers inhabiting the two video game avatars began a relationship in Welcome to the Jungle and it seems the pair are no less awkward even though some time has passed since they got together.

Jumanji 3 is filming right now with a release date already set for this December. It will once again go up against the newest Star Wars movie at the box office, though that battle wasn’t a major problem for Jumanji the last time around. With a fan base already looking forward to this sequel, it seems highly likely another big box office hit is on the way.

The Cool Reason Alita: Battle Angel Moved The Movie To Panama City

Alita: Battle Angel went to great lengths to get some aspects of Yukito Kishiro’s manga series correct on the big screen, including the way Rosa Salazar’s eyes were enhanced for the flick. However, other details were changed, including the setting of the story, and as it turns out there’s a reason Alita: Battle Angel got switched from Kansas City, Missouri to Panama City, Panama.

In fact, it’s a really cool reason. According to Director Robert Rodriguez, the change of locale had to do with the science behind the space elevator and the best location it would have worked. He said:

Per Robert Rodriguez, it was James Cameron who figured out that Zalem and the Iron City would be better off set in a warm location near the equator rather than in a temperate one. Then Rodriguez decided Panama City would be the best place to build the 23rd century world, set several hundred years after a great war left the Earth in ruination.

With Avatar and even Titanic, James Cameron has had an avid interest in the scientific components of those properties. (Although he notably may have gotten the Titanic sinking wrong.) So, it’s not shocking to me that if he was working on a movie with a space elevator that he would have wanted to make sure the details were at least somewhat feasible.

In addition, although the story is based on a manga novel written in Japan, Robert Rodriguez also revealed to Complex that Jim’s vision was always “more of a melting pot,” meaning setting the story in a specific place wasn’t that important to the final vision of the film.

It took a long time for Alita: Battle Angel to come together. Robert Rodriguez previously revealed that James Cameron had approached him with the idea a long time ago, specifically back when he was working on Sin City, which was released back in 2005. That’s a long time for a project like this to gestate, but it also assumedly means that people like James Cameron and Robert Rodriguez had plenty of time to think about details like space elevators and temperature.

If you haven’t caught it yet, Alita: Battle Angel is still in theaters now. We’ll of course let you know if the flick does end up getting a sequel. For now, take a look at what else is coming up with our full movies schedule.

14 Best Disney Quotes That Found Their Way Into Everyone’s Hearts

It’s been nearly 100 years since the entity that is now The Walt Disney Company was founded and over 80 years since the studio began to produce theatrical length animated films. Thanks to consistent re-releases and the advent of home video and DVD, those movies have remained in regular circulation for that entire time, which means several generations have grown up with these great animated movies and have taken advice from many of them.

While many pop culture fads have come and gone, Disney has remained, and while we all might have different particular favorite movies, we’ve all seen the classics, probably countless times. Since we saw many of them as impressionable children, these films may have had more of a profound impact on us than many of the other movies in our lives. Disney movies aren’t immune to giving advice either; in fact, a single piece of dialogue can sometimes be enough to inspire people for years to come. With that in mind, we’ve compiled just a few of the quotes that have stuck with fans through thick and thin and that over the years we haven’t been able to forget. Take a look.

Pinnochio and the Blue Fairy

“Always let your conscience be your guide.”

These words were spoken by the Blue Fairy as an instruction to Pinocchio that came along with him being transformed into a living puppet and began his quest to become a real boy. Jiminy Cricket gets drafted into surface as Pinocchio’s conscience, and remarkably, for a homeless insect, he’s well-suited to the job. It’s a good lesson for all of us to take to heart, even if we’re not always that great about following it.

Dory and Marlon in Finding Nemo "just keep swimming"

“Just keep swimming!”

Dory is one of those Disney characters that you can’t help but love simply because she is so unabashedly optimistic. She deals with a pretty severe disability, but she never lets it get her down. Instead, she focuses on the future and simply repeats her mantra, “just keep swimming.” It’s something to keep in mind when you come up against any obstacle. Sometimes you just have to put your head down and keep moving forward.

Peter Pan in disney movie

“Think happy thoughts.”

In order to learn to fly, you need to think happy thoughts. In Peter Pan it allows you to literally fly through the air. Unfortunately, in real life happy thoughts won’t let you actually fly, but they will help you feel like you could. Maybe thinking about Peter Pan is your actual thought, maybe it’s something more real, but we should all think happy thoughts as often as possible.

The Emperor and Li Shang in Mulan

“The flower that blooms in adversity is the most rare and beautiful of all.”

The Emperor of China has been around the block a few times and so he knows the lesson Li Shang needs to learn when he very nearly lets Mulan go without letting her know how he feels. So often we all feel that the difficulties we deal with weaken us, but this quote reminds us that we’re all actually stronger because of it.

Simba and Rafiki in The Lion King

“Oh yes, the past can hurt. But the way I see it, you can either run from it or learn from it.”

As much as we might love the song “Hakuna Matata,” The Lion King is very clear that the tune’s message about forgetting the past is the wrong way to go about things. As Rafiki tells us, the past is there for each of us to learn from. This line is what drives Simba to face his past after so many years away.

Edna Mode in The Incredibles

“I never look back, darling! It distracts from the now.”

Of course, Edna Mode might not necessarily agree with Rafiki, but that doesn’t make her any less fun or her quotable lines any less memorable. Edna is the most quotable of the entire Incredibles franchise and this is probably the line that we all think of when we think of her.

Lilo and Stich

“Ohana means family, family means nobody gets left behind.”

For a movie that starts out as a science fiction movie about a destructive alien, Lilo and Stitch gets remarkably emotional This is best exemplified by this line, which is spoken a few times throughout the film. It’s a reminder that family isn’t always the people we’re related to. It’s also about the people that we choose to make a part of our lives. Like little blue destructive aliens.

Merida in Brave

“Our fate lives within us, you only have to be brave enough to see it.”

Questions of fate and destiny are often at the heart of Disney stories. In Brave, Merida fights against the idea that she has no control over her own life. While things don’t exactly go the way she planned, she does come to realize that, whatever you call it, her life, as well as all of ours, are only what we make them. However, taking that responsibility in our own lives isn’t always as easy as it seems.

Olaf melting in Frozen

“Some people are worth melting for.”

Frozen’s Olaf has many great lines throughout the movie, but the most beautiful is probably this one. Anna is worried that Olaf will melt as he attempts to warm her. While one might have assumed that the childlike Olaf might not have realized what he was doing, he makes it clear that he’s a bit smarter than we’ve given him credit for, and he’s willing to do what must be done to help a friend, even if it harms him, because friendship is worth it.

The Peddler in Aladin

“Like so many things, it’s not what’s outside but what’s inside that counts.”

The peddler opens Aladdin with these words, giving us the smallest hint of the story we have yet to come. It’s not exactly an original idea, that who you are inside is what truly matters, but that’s part of why it works so well. The peddler himself acknowledges that we already know this, but that only reinforces its importance. Also, the line is spoken by Robin Williams so you can’t go wrong there.

Ralph at Bad-Anon meeting in Wreck-It Ralph

“There’s no one I’d rather be than me.”

Wreck-It Ralph may be a bad guy, but he’s not a bad guy, know what i mean? This line, part of the bad guy affirmation from the beginning of the film, comes back at the end as Ralph does what he can to save the world of Sugar Rush and his friend Vanellope. He accepts himself and all of his qualities that are beyond his control.

Bing Bong fading away in Inside Out

“Take her to the moon for me, okay?”

Of all the things that Pixar has done to tear our hearts out over the years, none may have been quite as powerful as introducing Bing Bong in Inside Out. His final words to Joy are a request to do the one thing with Riley that he had never been able to do. It tore our hearts out, but we never forgot it.

Ernesto de la Cruz in Coco

“Success doesn’t come for free. You have to do whatever it takes to seize your moment.”

Sometimes, even bad guys have something useful to say. Ernesto de la Cruz may have taken this idea to an extreme in Coco by literally killing somebody in order to seize his moment, but the ultimate idea, that you have to work for success and take the opportunities that come along, is certainly one that we can’t forget.

Tiana as a frog in the Princess and the Frog

“The only way to get what you want in this world is through hard work”

While Disney is frequently known as the company that cashes in on the idea of dreams and wishes, not every Disney Princess would believe you’ll ever get what you want from life if all you did was wish for it. She believed in hard work and that’s something we can certainly all take to heart.

Of course, this list really only scratches the surface of the great Disney quotes that have become memorable and important to all of us. Is there a quote not listed here that means a lot to you? Let us know about it in the comments below.

Blended From Around The Web


Rocketman’s Director Dismisses Nude Scene Controversy Rumor

There are certain film genres that always prove to entrance audiences, and chief among them is the biopic. Moviegoers delight in seeing celebrity’s stories played out on screen, usually with a touch more drama for good measure. Most recently, Bohemian Rhapsody entranced moviegoers, as Freddie Mercury’s life and music was portrayed onscreen. That project ultimately resulted in a ton of award nominations, taking home an impressive four Academy Awards in the process.

The next musical biopic coming down the line is Rocketman, which will tell the story of Elton John’s career and personal life. Kingsman‘s Taron Egerton is highly anticipated as the starring role, although there have been some rumors about the film’s editing process. Namely, that Paramount was trying to edit down the gay content and nudity. Now director Dexter Fletcher has addressed these reports on Twitter. Check it out.

Well, that seems to put the kabosh on those rumors. Rocketman will reportedly feature all the content that Dexter Fletcher wants. And this should hopefully include Elton John’s same-sex relationships being shown honestly onscreen.

Dexter Fletcher’s tweet should be a relief to the Elton John fans that took umbrage with reports of Rocketman‘s censoring. From the start, Rocketman has been billed a holds-no-bar approach to John’s life and career. While the legend is a producer on the project, the upcoming biopic was supposed to show the less flattering side of his time in the public eye. And his sexuality will likely be a major aspect of that characterization.

Rocketman‘s inclusion of queer content and same-sex romance has been a selling point of the movie ahead of its release. Following insane performance of Bohemian Rhapsody, the Elton John biopoc is expected to build off the success film. For instance, Taron Egerton is singing all of the musical numbers from Elton John’s catalogue. Meanwhile, Rami Malek’s Oscar winning role as Freddie Mercury only required him to lip synch the music.

Bohemian Rhapsody also got some backlash for not including enough scenes related to Freddie Mercury’s sexuality. Instead, Mercury’s girlfriend Mary Austin was the subject of most of his attention and affection. So if Rocketman goes full tilt and offers are more authentic view into Elton John’s coming out process and personal life, then it could succeed where Bryan Singer’s massively successful movie stumbled.

Taron Egerton recently spoke to how Elton John’s romantic life would be handled in the upcoming biopic. He told Variety:

Rocketman has been developing for a number of years, so there’s a certain level of anticipation and excitement for the upcoming biopic. And with Elton John currently on his goodbye tour, the timing is perfect. Generations of fans already have their focus on the legendary singer, so moviegoers will likely rush to theaters to see Rocketman. At least, that’s what Paramount Pictures and Dexter Fletcher are likely hoping.

All will be revealed when Rocketman arrives in theaters on May 31st. In the meantime, check out our 2019 release list to plan your next trip to the movies.

Zack Snyder Has Blunt Words For Any Fans Mad That Batman Killed Someone

Whatever your view of Zack Snyder‘s DC superhero movies, there’s little argument that his particular take on Batman and Superman would qualify as “non-traditional.” One specific way that Snyder broke with previous versions of the character was when he made a version of Batman who had no problem with actually killing people, a line that the character traditionally would not cross in modern films and comics.

However, at a recent Q&A following a screening of Snyder’s earlier comic book movie, Watchmen, the director made it clear that he has little sympathy for people who took issue with his version of the classic DC characters, as seen in Batman v Superman: Dawn of Justice, as he feels they made sense for a modern comic book movie. According to Snyder…

Snyder’s comments at least make it clear where he was coming from in creating his version of the DC Universe. His earlier film Watchman, and the comic it was based on, argued that if superheroes were real, they would not be the paragon of virtue we’re used to seeing in comic books. Snyder believes this idea so strongly that he carried it over to characters like Batman and Superman. He thinks viewing any sort of hero with that sort of idolization is akin to living in a dream world. Everybody has flaws and that should be understood.

While many might agree, the response on Reddit, where Snyder’s comments were posted, is largely negative. Many feel that while a story like Watchmen has its place, Batman is something quite different and should be treated as such. Batman’s decision not to kill his enemies is a key aspect of the character, and if you change it, he’s simply not Batman anymore.

Of course, there’s really no right answer to questions like these. There will always be fans of the traditional view of any character with a history as long as the one Batman has. Changes and new interpretations will always happen, but exactly what aspects of the character are immutable won’t always be agreed upon. A Batman willing to kill certainly opens up interesting ideas to be explored that wouldn’t be there with a more traditional iteration of the character.

What do you think about Zack Snyder’s perspective on Batman? Let us know in the poll below.

Is Zack Snyder Right About Batman?

Kevin Feige Explains Why Captain Marvel Wasn’t Given A Love Interest

Spoilers ahead for Carol Danvers’ origin story.

The Marvel Cinematic Universe is an ever expanding place, and the stakes couldn’t be higher at the moment. Captain Marvel has finally arrived, and has made a ton of money in theaters. After years of waiting, Brie Larson’s Carol Danvers has joined the massive shared universe, and she’ll crossover with the rest of The Avengers when Endgame arrives next month.

Captain Marvel’s brief scene in the final Endgame trailer shows her interacting with Chris Hemsworth’s Thor, with the two powerful heroes having a silent standoff of some kind. He eventually says he likes her, and some Marvel fans have been hoping that the duo might have a romantic connection in the upcoming blockbuster. But Marvel Studios’ Kevin Feige recently addressed the lack of a love story in Captain Marvel, saying:

It looks like Carol Danvers was always going to fly solo in Captain Marvel. Instead of navigating a romantic connection on top of her memory loss, Captain Marvel focused on its title character’s interpersonal relationships with her friends, and her former Kree allies.

Kevin Feige’s comments to ScreenRant show that Captain Marvel was never going to be a love story. Kevin Feige previously promised that the movie would be a new type of origin story, and the project ultimately did just that. Carol’s fractured memory served as the backdrop behind her journey on Earth, and she had a unique family unit with Maria and Monica Rambeau. Their connection was the heart of the movie, so there was no need to get Captain Marvel all dewey eyed about a boy.

If Carol Danvers was given a love interest in Captain Marvel, the movie would have been closer to the origin stories from back in Phase One. Iron Man, Thor, The Incredible Hulk, and Captain America: The First Avenger all saw the title character fall in love, while also becoming a superhero. It would have been too by the numbers to have Captain Marvel follow suit, especially when Phase Three has been such an ambitious and artistic set of films.

But just because Carol Danvers doesn’t have a love interest yet doesn’t mean that it can’t occur sometime in the future. Captain Marvel has had romantic storylines in the comics, after all. As for those rumors about Thor in Endgame, the God of Thunder has been single for a while now. So who knows?

Captain Marvel is in theaters now, and she’ll return to the MCU when Avengers: Endgame arrives on April 26th. In the meantime, check out our 2019 release list to plan your next trip to the movies.

Jordan Peele Reveals His Cameos In Us And Get Out

The following contains minor spoilers for Us**.**

Jordan Peele has been compared by many to Alfred Hitchcock for the way has manages suspense in his films. However, it appears that Peele is similar to the famous director in one other major way, he likes to appear in his own films.

Alfred Hitchcock was known to cameo in most of his major motion pictures. Usually he would just walk across the screen at some point or otherwise appear in a fairly innocuous role. However, Jordan Peele has taken that idea to an even greater extreme. You never actually see Jordan Peele in Get Out or Us as it’s actually only his voice that appears in his two directorial efforts. In both movies, he apparently creates the sounds of dying animals. According to Peele…

At the beginning of Get Out, the characters of Chris and Rose are on their way to Rose’s parents house when their car strikes a deer. Chris goes to investigate and finds the animal slowly expiring in the woods just off the road.

For those of you who have seen Us, you know that rabbits play an interesting role in the story, apparently Peele voices one of them as they die.

It’s certainly an interesting and unique way to cameo in your own films. Many directors have followed the lead of Alfred Hitchcock and made appearances in their own movies from time to time. You can be sure M. Night Shyamalan will appear in his films, sometimes in a sizable supporting role. Joe Russo has also appeared in his Marvel movies from time to time.

However, I can’t think of a time a director has made a point to appear in two films, but in a way that he would almost certainly never be recognized. It wasn’t until somebody asked him about the idea of appearing in his own films that we learned that he actually had.

Check out the interview with Fandango below to hear exactly what Jordan Peele sounds like in his cameos.

We don’t know what’s next for Jordan Peele when it comes to the director’s chair. He’s working as a producer of an upcoming remake of Candyman as well as the newest iteration of The Twilight Zone so he may not be directing another movie soon. If and when Peele makes another feature film, I suppose we should all look for a scene in which an animal dies, at that appears to be the place we’ll hear Jordan Peele cameo in the future.

Zack Snyder’s Response To Fans Wanting A Justice League Snyder Cut

When it was announced that Zack Snyder would be holding a three-day event screening his director’s cuts, and holding Q&A sessions, you knew it was coming. Someone was going to ask about The Snyder Cut for Justice League. In this case, they shouted about it, and Snyder didn’t have much of a response — other than to nod and drop a line about “subversion.” Here’s a transcript of the conversation, with a video below so you can hear for yourself:

Some fans thought they heard him say “some version” instead of subversion, thinking he meant to release some version of Justice League. But it sounds like he was making a joking about fans being subversive, to undermine the authority of Warner Bros. and push for his director’s cut on Justice League.

Here’s a video from Twitter so you can watch and listen for yourself.

The “I hope so too” — and the way he said it — to me, that said the most. I’m kind of surprised he didn’t take that moment to thank the passionate fans for pushing for his vision of Justice League. They are the ones that still tweet #ReleaseTheSnyderCut. The Justice League cast would like to see Snyder’s intended director’s cut too; Jason Momoa said he was obsessed with the Snyder Cut and wanted to see it.

Zack Snyder ended up stepping away (or was forced away) as the director of Justice League due to a personal family tragedy. Joss Whedon took over for reshoots, and a lot changed from what Snyder had envisioned for the film — and pretty much negated what he had planned to do next. The resulting Justice League film made a decent amount of money ($657,924,295 worldwide) but it didn’t really make anyone happy.

Recently, one of Zack Snyder’s longtime collaborators, photographer Clay Enos, said what happened with Justice League would “go down in film history as some sort of terrible wrong that can be righted, creatively.” He said we need a cultural shift that prioritizes auteur filmmaking from director’s with a specific vision.

It does seem like Warner Bros./DC may have learned some lessons after the frustrations of Justice League. They found a hit with James Wan’s $1 billion Aquaman and look to have a crowd-pleaser with Shazam! Word is, Warner Bros. is shying away from the shared universe to focus more on individual stories and director’s visions. So some good seems to be coming out of the whole mess.