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How I Stopped ‘Doing It for the ’Gram’ and Learned to Love ‘Unlikeable’ Moments

Open up your Instagram feed. What do you see? Fresh-cut peonies. A woman in the middle of her sun salutations series atop a mountain. A runner in the final stretch of a marathon. Instead of these polished moments of triumph, how great would it be to see a snap that shows someone at their worst? The moment their muscles clenched at the 10-mile mark. The split second when the ceramic pot spins off the wheel and splats on the ground. What if people posted images of those far more frequent mess-ups and total wipeouts for all their followers to see?

We now live in a moment of aspirational dread on social media. And it’s hit our hobbies hard. Instead of just going for a run, you have to share a picture of your mile count in the health app. You can’t just macrame a wall hanging—you have to post daily progress on your Stories. It seems there is little we do for the joy of doing it because we’re always trying to prove that we’re enough, by getting as many “likes” of approval as possible. This is especially true for women. We bear the brunt of the myth of perfection.

My hobby is surfing. It isn’t something I picked up during a quick trip to Baja last year. I’ve been at it for almost two decades. When I’m in the water, it’s not cute. I don’t live in a tricked-out camper van parked near a mellow beach break. Picture Blue Crush. Now picture the opposite of that.

While I can surf, I also kind of suck. I’m goofy and the antithesis of cool. Sometimes I eat shit. But, oh my God, is it fun. Surfing is something I don’t have to be good at. I don’t do it for the Boomerangs, or to filter the picture later. I just do it for me, and I don’t spend time worrying what I look like when I get up on that wave—or how it’ll look to other people when I show them later.

One of the best rides ever happened as I struggled to catch a wave. In the dog-eat-dog world of the lineup on the water, a moment’s hesitation tends to mean that a better surfer will score the wave you’ve missed. On this particular occasion, a surfer who witnessed my struggle paddled up behind me and called me into a swell line. He even made the effort to give me a tail push to help me catch it. He didn’t know me, and he could have taken the wave for himself, but instead helped a kook in the lineup just to be nice. I love that guy. I caught the wave and rode it to well, but that wasn’t the best part. His act of kindness was the best part. That moment won’t be recorded on video or posted and reposted on Instagram. But the feeling of connection—even if just for a moment—has remained with me ever since.

When I finally decided to come clean about being a sucky surfer, I posted an Instagram video of me looking like the goof that I am. I’m wearing a blue, unflattering, one-piece neoprene suit that makes my less-than-lithe body look even lesser lithe. I paddle into the wave and pop up with too much effort. Even though I catch it and turn left to ride the wave’s face, my arms fly up in an effort to balance, making me look like a football referee calling a touchdown. Worse, I’m standing too far back on my board to gain any speed. Instead of a cool kick out with the flip of my hair, I just flop over. Instagram accounts that gain followers in the surf world are filled with the graceful, the talented, and the beautiful. (And there’s that van again, dammit.) But to my surprise, when I posted myself in all my glory-lessness, thick-bodied and awkward, instead of feeling shame, I felt a kind of freedom.

Denzel Curry Is Living Fast And Worrying About The Future On ‘Speedboat’

Denzel Curry dropped TA1300 ten months ago and now it’s time for a new chapter. Enter ZUU, the new album that’s set to drop on May 31 that he’s just announced. Along with the surprise reveal of the around-the-corner-body of work, Curry also released a new song that previews it. “Speedboat” is a unique celebration of the good life and its accompanying “audiovisual” seems to indicate that there’s more trouble that comes with having money than you would expect.

If you’ve ever owned a house cat, you know that they like to walk around and settle on your lap, no matter what you’re doing. If you’re on a laptop, this means that whatever you’re typing will have a jumble of random letters added to it. “Speedboat” sounds like a cat plopped its body on a piano and a beat was built around it. This jumble of notes and its ominous trap drums make it a darkly funny listen. Curry occupies this space and raps about the juxtaposition between a life changed for the better and an existence plagued with fear about making it to see tomorrow. “My dawg didn’t make it to 21, so I gotta make it past 24,” he rap-sings on the chorus.

The visual itself might not technically be considered a music video. It features a man of luxury under surveillance by what appears to be the cops. Over the course of the video, scenes from Bad Boys II are interspersed, featuring the chaotic evisceration of both cars and architecture. It all forms into a visual that seems to show the destruction and dangers of living lavishly. Is it worth it to have a speedboat if all of life’s dangers are suddenly much more likely?

ZUU will also feature the previously released single, “Ricky.” The LP will also feature Rick Ross, Sam Sneak, and more. Curry’s TA1300 follow-up comes quick and it looks like ZUU will take the rapper into a new direction. It’ll be exciting to follow the road.

The Important Role Monarch Will Play In Godzilla: King Of The Monsters

Naturally the main reason one goes to a Godzilla movie is to see the eponymous creature fight other monsters, but it’s also important to have human characters involved to anchor the story. In the MonsterVerse franchise, most of those humans are part of or affiliated with Monarch, which has studied these Titans for nearly three-quarters of a century.

While 2014’s Godzilla and 2017’s Kong: Skull Island provided some information on Monarch, this month’s Godzilla: King of the Monsters pulling the curtain back even further on this organization. I recently interviewed King of the Monsters production designer Scott Chambliss, and he explained that Monarch’s headquarters is representative of the clash between man and nature in the movie. Speaking about the inspiration for designing these headquarters, Chambliss said:

Although Kong: Skull Island’s post-credits scenes showed Tom Hiddleston and Brie Larson’s characters being held inside one of Monarch’s interrogation rooms, that’s hardly a good look into the kind of work space the agency’s employees operate in. Fortunately, Godzilla: King of the Monsters will not have that issue, and clearly Monarch is not lacking for funds if it can set up its headquarters within an underwater mountain.

More importantly, though, is how Godzilla: King of the Monsters reflects the core archetype through both the artificial elements making up Monrach’s base and its natural home. Scott Chambliss provided additional details about what to expect from the headquarters, saying:

In the present day MonsterVerse, the two main representatives of Monarch have been Ken Watanabe’s Ishiro Serizawa and Sally Hawkins’ Vivienne Graham. Both will be back for Godzilla: King of the Monsters, and in addition to meeting some of their other coworkers, we finally get to see the kind of environment they’re in when not doing fieldwork.

Scott Chambliss also confirmed that it was incredibly difficult to put together the Monarch headquarters set. As he put it:

It’s hard to say just how much time Godzilla: King of the Monsters is spending inside the Monarch headquarters, and obviously the main draw of this latest MonsterVerse tale is witnessing Godzilla, Rodan, Mothra and King Ghidorah collide out in the open. Still, considering how little we’ve learned about the organization, it’s cool to see Monarch will have a bigger presence for this third entry.

Along with Ken Watanabe and Sally Hawkins reprising their roles, Godzilla: King of the Monsters’ main cast includes Millie Bobby Brown, Vera Farmiga, g, Bradley Whitford, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson, David Strathairn and Zhang Ziyi. Michael Dougherty directed and co-wrote the script with Zach Shields.

Godzilla: King of the Monsters rampages into theaters on May 31, so stay tuned to CinemaBlend for continuing coverage. In the meantime, head to our 2019 release schedule to find out what movies are coming out later in the year.

Keanu Reeves Really Tried Not To Imitate Buzz Lightyear For Toy Story 4 Role

We probably said this in 2010 about Toy Story 3, but this time, Toy Story 4 might really mark Buzz Lightyear’s last appearance on screen, so we’d hate to see anyone stealing the thunder of the iconic toy voiced by Tim Allen. When Keanu Reeves came on board to play a new character named Duke Caboom on the upcoming film, there was some discussion regarding the similarities of their Pixar personas.

In Toy Story 4, Keanu Reeves plays “Canada’s favorite stuntman,” a mustachioed motorcyclist who loves to show off his poses. When Duke Caboom was first pitched, both Tim Allen and Reeves sensed the two characters had some similarities. However, the John Wick actor assured that he had no intention of imitating the space cadet the role. Here’s what he recently told EW:

The new character actually has a pretty tragic backstory! He’s advertised as an Evil Knievel-esque stuntman but he cannot actually perform what the commercials say he can do. Because of this, Duke Caboom let his kid down and has a fear of failure. In Toy Story 4, it looks like he will have an important role to play as Woody and Bo team up to rescue Forky and get back to Bonnie.

A new trailer for the film heavily features the Keanu Reeves’ Duke Caboom. See it for yourself:

I guess we’ll have to check out the movie if we want to see how Duke’s important motorcycle stunt pans out! The final trailer ahead of the movie’s release next month also features some more footage of the other new characters ,including Forky, who is central to the movie’s plot. Key and Peele’s Ducky and Bunny also deliver some funny moments to look forward in the film as well.

When a franchise such as this one has had many entries, it’s easy for some plot points and characters to start running together a bit, but Buzz Lightyear and Duke Caboom don’t look to be stepping on each others’ toes as far as we can see. Keanu Reeves found it important to give Duke a gruffer voice and inject some sensitivity and heart to him amidst his enthusiasm for motorcycle stunts.

Funny enough, the actor is actually Canadian and rides motorcycles of his own, so perhaps Duke is a bit of a character of himself in some ways.

Pixar recently said Toy Story 4 will be its last sequel for a while, so fans can look forward to more new characters from the story! The movie is expected to make a grand entrance when it opens on June 21, as tracking has its first weekend at as much as $130 million.

Keanu Reeves has just seen success with his latest John Wick film, which dethroned Avengers: Endgame at the box office over the weekend after reigning for almost a month at number one. It has also just been announced that John Wick 4 is in the works.

Are you excited to see Keanu Reeves Toy Story 4 character? Let us know in the comments below!

Avengers: Endgame And Infinity War Shot A Whopping 900 Hours Of Footage

An achievement in filmmaking, comic book adaptation and blockbuster franchise work in general, Avengers: Infinity War and Avengers: Endgame brought eager audiences almost 6 hours worth of story to close out the first saga in the Marvel Cinematic Universe. But if you thought that was a mammoth undertaking, just wait until you dive into the fact that this trim and svelte package came from 900 hours of footage cultivated through the film’s back-to-back shoots.

This wonderful nugget of information comes from Jeffrey Ford, the co-editor of Avengers: Infinity War and Avengers: Endgame, who, alongside fellow co-editor Matthew Schmidt, was tasked to help directors Joe and Anthony Russo craft their unique vision for the grand finale of the original Avengers lineup. And alongside that figure, Ford provided the following commentary for just why there was so much footage at the end of the day:

It kind of makes even more sense that when we interviewed the Russo Brothers about the production of Avengers: Infinity War and Avengers: Endgame, they had no problem confirming that the production of one film right after the other was one of their big regrets. Just imagining all of the shooting and editing on Infinity War running into pre-production, and eventually the shooting and editing of Endgame, is enough to potentially drive any civilian mad.

Jeffrey Ford confirmed as much when he spoke to Business Insider, as he continued to talk about that process in the following details:

Looking at how Ford has edited or co-edited each Avengers film, the entire Captain America trilogy and Iron Man 3 since 2012, those claims are as water tight as the work that’s come out of the editing rooms at Marvel Studios. It should be noted that the figure of 900 hours’ worth of footage, while daunting, should have some caveats attached to its existence.

This is probably counting multiple takes of certain scenes and even moments where scenes are being set up and broken down. However, that also means that with the reshoots and retooling we’ve heard about with Avengers: Infinity War and Avengers: Endgame, there are moments we haven’t seen hidden in the fray.

Namely, if Disney+ really wanted to give themselves a killer edge over the competition, not only could they offer the theatrical cuts of both films, they could provide alternate versions that fans will not be able to find anywhere else. And with this much footage available, it might be easy to smooth out some of the edges and provide a whole new experience fans didn’t know they wanted.

Still, even if that 900 hours of footage is just sitting somewhere in the Marvel Studios vault, it’s good to know that out of that massive wall of movie came two spectacular halves to an event we’ll be lucky to see as many times as we want in our lifetimes. And it’s all thanks to the efforts of Jeffrey Ford and Matthew Schmidt.

Avengers: Infinity War is available on Netflix for streaming, as well as Digital HD and home video release, while Avengers: Endgame is currently in theaters now, and will be on Disney+ as of December 11.

Upcoming Star Wars Movies: List Of Titles And Release Dates

Millennium Falcon going warp speed in Star Wars The Rise Of Skywalker

Following the release of the prequel trilogy, the Star Wars franchise stayed mostly dormant on the big screen for years… but now we may never see a dormant period for the franchise ever again. The brand was revitalized when the Walt Disney Company purchased Lucasfilm back in 2012, and nothing has been the same since the release of J.J. Abrams’ Star Wars: The Force Awakens in December 2015. That billion dollar blockbuster kicked off a string of stories created by the studio, one coming out every year since, and it appears that the future will see many opportunities for inventive storytellers to play in this particular sandbox. And while the latest trio of saga features may soon be coming to an end, there is still a lot of new stuff being developed – including new trilogies and so-called Star Wars Stories.

But what exactly are these projects that are currently in the works? How long do we have to wait for them? We’ve built this guide to specifically answer all of those questions and more, so read on and discover everything that we know so far about the Star Wars films that are in the pipeline.

Confirmed Upcoming Films Star Wars
Rey running from a Tie fighter in Star Wars: The Rise Of Skywalker

Star Wars: The Rise Of Skywalker

The hotly-anticipated Star Wars: The Rise Of Skywalker has undergone some significant behind the scenes shakeups. Initially the script for the film was written by Star Wars: The Last Jedi writer/director Rian Johnson, and Colin Trevorrow was attached to direct… but that was before the death of Carrie Fisher. That tragic event unfortunately forced the filmmakers to scrap what they had been working on, and it was decided that Trevorrow would step away from the helm. Lucasfilm then hired Star Wars: The Force Awakens director J.J. Abrams to replace him, and he then co-wrote a new script from the end of the sequel trilogy with Chris Terrio.

As is the case with all developing Star Wars projects, details about the plot and events we can expect to unfold are being kept under extreme wraps – though we certainly can infer a few things from where Star Wars: The Last Jedi ended. In their battle against the First Order, The Resistance nearly faced defeat in the last adventure, but thanks to an inspirational appearance from the legendary Luke Skywalker everything changed. Rey is now very much on her way towards full Jedi status, and Kylo Ren is the new leader of the fascist galactic system following the death of Supreme Leader Snoke. It’s also been confirmed that the thought-dead Emperor Palpatine will have a certain amount of influence on the way things go down, but that’s basically only because of the laugh that can be heard at the end of the film’s debut trailer.

New generation stars Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Kelly Marie-Tran, Domhnall Gleeson and Lupita Nyong’o are all reprising their respective roles, and we’ll also be seeing the return of Mark Hamill, Billy Dee Williams, Ian McDiarmid, Anthony Daniels, and Carrie Fisher (whose performance will be created with the use of archive footage and visual effects). New additions to the franchise include characters played by Keri Russell, Richard E. Grant, Naomi Ackie. Get the latest on Star Wars: The Rise Of Skywalker HERE.

Release Date: December 20, 2019

X-Wing Fighters

The Benioff-Weiss Star Wars Trilogy

As J.J. Abrams prepares to conclude the sequel trilogy and the legendary Star Wars saga, two new trilogies will be starting up to further expand the beloved sci-fi universe. The first of these will be the brainchild of Game of Thrones producer/writers David Benioff and D.B. Weiss – who are working on the new set of blockbusters now that their hugely popular HBO series has come to an end. Nothing has been revealed in regards to what kind of story we can expect to be told in this set of features, or even what period of the vast timeline will be explored, but at the very least we do know when we will be seeing the first installment.

It has been confirmed by Disney and Lucasfilm that the debut chapter of the Benioff-Weiss Star Wars Trilogy will be the first to hit theaters following the release of Star Wars: The Rise Of Skywalker. That being said, we’re still going to have to wait a minute for it, as the production of features in this franchise will be slowing down in the coming years. Not only will we no longer be seeing annual Star Wars movies, but the first of this particular branch won’t be released until December 2022. From that point forward films from the universe will only be released biennially – and it hasn’t been made clear if the franchise will be going back and forth between the two developing trilogies, or if one will get to play out entirely before the start of the next. Speaking of which…

First Film Release Date: December 16, 2022

Rian Johnson General Leia Star Wars

Rian Johnson’s Star Wars Trilogy

As mentioned above, Star Wars: The Rise Of Skywalker won’t be using the script that was originally written by Rian Johnson, but franchise is far from done with him. Prior to the release of Star Wars: The Last Jedi, Lucasfilm announced that their collaboration with Johnson will continue with the development of an entire new trilogy of movies. Like the case with the Benioff-Weiss Star Wars Trilogy, it is entirely unclear at this time what this set of blockbusters will be about, when it will be set in regards to the Star Wars stories that we know, if/how it will connect to the classic films, or if it will include characters with whom we are already familiar. What we do know is that we will surely be hearing a lot more about these movies in the years to come.

When it comes to the release date, that is another major mystery. As noted below, Disney/Lucasfilm have carved out three release dates for future Star Wars movies between now and the end of 2026. And as mentioned above, what’s unclear is if the plan is to have fans experience a new movie from each trilogy every other year, or if Rian Johnson’s next contributions won’t start until after the Benioff-Weiss films are done. It may be a minute before we have final confirmation about this, but you can be sure we’ll have all of the latest details for you as they arrive here on CinemaBlend.

First Film Release Date: Unknown

Confirmed Upcoming Release Dates

December 16, 2022
December 20, 2024
December 18, 2026

Recent Releases Star Wars
Alden ehrenreich in Solo A Star Wars Story
Star Wars: The Last Jedi
Rogue One: A Star Wars Story
Star Wars: The Force Awakens

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Seth Rogen Has A Hard Time Doing Press For Bad Movies

No matter how accomplished an actor is, not every one of their projects is going to strike a chord in audiences the same way as the one’s their most famous for. Seth Rogen may have had built a name for himself during his over 20 years starring and making movies, but it’s an especially tough road when one doesn’t turn out how he’d wished it would. Here’s why per his words:

Yikes! The actor brings up an understandable point. Few industries require those involved to go out and promote all their work ,and it can be unpleasant to gush about a movie if you are not happy with. While most actors might find it easy to simply fake their enthusiasm about a bad movie (maybe pretend they’re doing a character who liked the movie?), Rogen told GQ it really takes a toll on him. He continued with these words:

Ultimately, it looks like something positive came out of Rogen’s discomfort doing press for the movies he’s made. Namely, it made him only want to do projects he could be proud of. You, Me and Dupree may have been a bummer for the actor (which was directed by the Russo Brothers… you know those guys behind a little indie movie called Avengers: Endgame) but it pushed him to be more involved in his projects.

One year after that film, Seth Rogen made it big with his breakout hit Knocked Up, which he also was an executive producer on. That movie is still his biggest success, and was the start of Rogen being a regular producer on his movies (some of which he wrote as well) including Pineapple Express, 50/50, This is the End, Neighbors, The Interview and The Night Before.

Seth Rogen clearly loves being a part of the development process of a film, and having a say in the way it’s marketed. With the exception of a few movies, Rogen told GQ he gets uncomfortable about being in movies he is solely the actor in. This year he starred and produced in Long Shot, is producer on upcoming comedy Good Boys and is voicing the role of Pumbaa in The Lion King.

Way to pave your own success in the business. Seth Rogen may be high all the time (he said it, not me) but he can look back on a majority of his career feeling proud of what he’s accomplished and walk into press tours relaxed because of these experiences.

Quentin Tarantino’s Once Upon A Time In Hollywood Has Screened, See What People Are Saying

Margot Robbie as Sharon Tate in Once Upon a Time in Hollywood

Quentin Tarantino’s Once Upon a Time in Hollywood just premiered at the Cannes Film Festival, and while it’ll be another two months before the general public gets to see it, they can at least start getting a sense of how the director’s ninth movie was received over in Europe. Social media reactions to Once Upon a Time in Hollywood are pouring in, and evidently it was quite the hit at Cannes, earning a six to seven minute-long standing ovation.

Starting off, Deadline’s Joe Utichi praised Once Upon a Time in Hollywood as one of Quentin Tarantino’s best movies yet, saying:

Once Upon a Time in Hollywood is so gloriously, wickedly indulgent, compelling and hilarious. The film QT was born to make. The world is a more colourful place in Quentin Tarantino’s twilight zone. Round two, please.

Quentin Tarantino might not have the largest directorial resume in Hollywood, but all of his solo directing work over 25+ years has been met with mostly positive reception. So to say that Once Upon a Time in Hollywood is the film he was born to make is high praise indeed.

That Shelf managing editor Jason Gorber was also pleased by Once Upon a Time in Hollywood, although he admitted that not everyone will feel the same way:

Once Upon a Time in Hollywood – Historically dubious, thematically brilliant, QT finds his form in film that could win Palme d’Or or be picketed by audiences, or maybe both. Thrilling, provocative, blackly comical, intensely unsettling masterwork.

Sometimes you can summarize your feelings for a movie in just a few words, and that’s just what Thrillist’s Emma Stefansky did with her praise for the latest Quentin Tarantino movie:

I reeeeally liked Once Upon a Time in Hollywood

But not everyone was willing to declare that Once Upon a Time in Hollywood was a success across the board. The New York Times’ Kyle Buchanan was more measured with his reaction:

There will be many, many hot takes to come on the new Tarantino but I don’t mind letting mine cool off on the counter a little longer. I know it’s more relaxed than I was expecting, and that DiCaprio is terrific, funny and poignant. The rest, I’m gonna mull over.

Indiewire’s Erick Kohn also felt into more mixed territory with Once Upon a Time in Hollywood, though he did appreciate the Easter eggs and lead performances:

Once Upon a Time in Hollywood is a meandering Tarantino hangout movie, plays w/history, celebrates the art of the TV western & the creative thrill of performance. DiCaprio & Pitt are better than ever. Lots of nostalgic Easter eggs. It’s fun! But manage expectations.

FirstShowing’s Alex Billington noted how as has been made clear in the marketing, Once Upon a Time in Hollywood delves deeply into the culture that Quentin Tarantino grew up with:

As expected, Once Upon a Time in Hollywood is Tarantino referencing other films and TV and old Hollywood and good times in the 60s. Digging into his past and showing us, through perfectly crafted cinema, his feelings about moviemaking and artists and the Manson murders and more.

Torontoist contributor Jesse Hawken said that fans of some of Quentin Tarantino’s most famous movies will appreciate what he delivers in Once Upon a Time in Hollywood:

Once Upon a Time in Hollywood: fans of Pulp Fiction and Kill Bill know what to expect from Quentin Tarantino and once again he delivers! A hip, cool joyride that injects a shot of classic Hollywood cool to the multiplex. Leave the kids at home for this one, folks!

Finally, Anne Thompson, also of Indiewire, complimented Once Upon a Time in Hollywood not just for its premise, but also for what the lead actors brought to the table:

Tarantino’s gorgeous Once Upon a Time in Hollywood lovingly recreates a showbiz period that is long past, of cowboys, manly men and crazy hippies. DiCaprio and Pitt are funny and brilliant, as is Margot Robbie as sweet Sharon Tate. It’s an elegy.

Set in 1969 Los Angeles, Once Upon a Time in Hollywood follows a television actor and his stuntman trying to navigate the changing Hollywood landscape, all as The Manson Family is up to its illicit activities. The sprawling ensemble cast also includes Kurt Russell, Dakota Fanning, Timothy Olyphant, Al Pacino, Luke Perry, Lena Dunham and many, many more.

You can judge Once Upon a Time in Hollywood for yourself when it’s released in theaters on July 26. For now, you can look through our 2019 release schedule to learn what other movies are opening later this year.

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Fans Will Have To Wait A Long Time To See Alita: Battle Angel On DVD And Digital

This past February, Alita: Battle Angel made its debut in theaters worldwide, fulfilling a dream decades in the making. Starting as co-writer/producer James Cameron’s baby, and eventually being transferred to the loving care of director Robert Rodriguez, the film went on to score an impressive gross at the box office, as well as a vocal internet fandom.

Those fans are going to have quite a bit of a wait to endure in order to see Alita: Battle Angel again, as the physical and digital releases are both set to drop throughout the month of July. While the digital release is set for July 9, fans won’t be able to grab a physical copy of the film until July 23, which comes a little over five months after the film’s February 14 theatrical debut.

While we’re not particularly sure about why there’d be such a delay in the release of Alita: Battle Angel, it might be because of the Fox/Disney merger that also caused delays, reshufflings and in some cases cancellations to come down on projects that the now joined studios had on their respective dockets. But what we can be sure of is that when it finally does hit shelves this summer, there are going to be quite a few awesome extras along for the ride.

As promised, Robert Rodriguez is including one of his patented “10 Minute Cooking School” segments, this time teaching the audience at home how to make the Iron City chocolate that Rosa Salazar’s Alita fell in love with as one of her first food experiences in the world. Also included are various features that detail the story of Alita: Battle Angel’s extended development process, complete with a concept art gallery from James Cameron’s work on the film back in 2005.

Most promising, though, is the inclusion of three motion comics that flesh out the world of Alita: Battle Angel: “The Fall,” “Iron City,” and “Rules of the Game.” Each of those shorts will help the audience learn more about the infamous events that preceded those of the film, as well as draw more depth into the city itself, and the sport of Motorball.

While the chances of a sequel are still up in the air when it comes to the live-action adaptation of author Yukito Kishiro’s work, there’s always the possibility that impressive rental and sales figures could boost those chances significantly. So if you happen to be a fan of Alita: Battle Angel, or have been curious to see what the fuss is all about, these details will help you become battle ready for the home video release of this imaginative epic of future combat.

Alita: Battle Angel will be on Digital HD on July 9, with 4K UHD, Blu-ray, and DVD releases all rolling out on July 23.